|
Lecturer(s)
|
-
Šikolová Ludmila, doc. M.A.
-
Krotký Svatoslav, doc. ak. mal.
-
Veselá Zuzana, Mgr.art.
-
Hlubuček Martin, MgA.
|
|
Course content
|
Exercises: Common to all 1. Introduction to the concept of studio teaching of master's studies. 2. -5. Knowledge and acquisition of knowledge about selected issues and research of materials, application to the artistic concept of semester work in the author's project. Dividing into studios Textile studio: 6. Application of knowledge gained from research of materials and application of experience to the artistic concept of semester work in the author's project. 7. Creation of studies of textile structures and their combinations. 8. - 9. Creation of a study textile object and design of a textile miniature. 10. - 12. Realization of textile miniature. Fashion design studio: 6. Application of knowledge gained from research of materials and application of experience to the artistic concept of semester work in the author's project. 7. Creation of garment series, shape and cutting solutions by various modeling techniques. 8. - 9. Calico sampling with material tests. 10. - 12. Realization of clothing compositions. Jewelry studio: 6. Application of material research and application to the concept of artistic solution of the author's project. 7. Creating sketches, models and finding a form for jewelry. 8. Material tests and solutions by various techniques. 9. -12. Realization of jewelry into the final form. Glass studio: 6. Application of acquired knowledge and application of experience into the artistic concept of the semester work in the author's project. 7. Implementation of shape solutions by various techniques (drawing, visualization, model). 8. - 12. Realization of a glass object. Common to all 13. Documentation of semester work. 14. Presentation at the semester exhibition and defense of the semester work.
|
|
Learning activities and teaching methods
|
Individual creative and artistic activities, Group consultation, Individual consultation, Practicum, Seminár
- Class attendance
- 112 hours per semester
- Semestral paper
- 140 hours per semester
- Preparation for credit
- 60 hours per semester
- Preparation for exam
- 30 hours per semester
- Presentation preparation (report)
- 20 hours per semester
|
|
Learning outcomes
|
This course is taught in the form of studio teaching. The aim of the course is the concept of studio teaching of master's studies. It focuses on the results of diverse research materials, searching for and finding relationships and contexts. It is about finding the essence of a logical solution and reducing redundancies, o searching for the composition of space, context and finding the right function of an artifact. From the fifth exercise, the division into studios begins: Textile studio. Teaching is focused on the study of artistic qualities of fiber and fibrous materials. It focuses on artistic processing of textiles by combinations of various qualities and structures, their mutual interaction, including use sewing technology. Its content is the creation of a textile object on a smaller scale, resulting in a textile miniature. Clothing studio. The course is focused on exploring the possibilities of innovative shape and cutting solutions of clothes as objects. It focuses on clothing as a solitaire, the main bearer of the concept idea. Jewelry studio. Teaching is focused on examining the artistic qualities of selected materials and their possibilities with the use of given task. It concerns the plastic arrangement of matter, spatial and material relations, as well as the bonds between man and environment. It focuses on jewelry as a solitaire. Glass studio. Teaching is focused on innovative research into the possibilities of glass. Its content is the design and implementation of glass object on a smaller scale on a specific topic, or the realization of selected solitaires from a table set (bowl, vase, carafe, etc.).
Presentation of the created work on the given topic and its defense before the art commission.
|
|
Prerequisites
|
Not specified.
|
|
Assessment methods and criteria
|
Oral exam, Presentation of artistic and creative activities, Interview, Oral presentation of self-study
Credit: participation in studio classes, consultations, clothing work Exam: defending the work before the commission
|
|
Recommended literature
|
-
F., GOMBRICH, G. H. Tajemství obrazu a jazyk umění. Brno: Barrister&Principal publishing, 2017, 399 s. ISBN 978-80-7485-030-1.
-
G. H. Umění a iluze. Praha: Argo (2.vydání), 2019, 416 s. ISBN: 978-80-257-3031-7.
-
BYDŽOVSKÁ, L. a kol. Konec avantgardy: Od mnichovské dohody ke komunistickému převratu (České umění 1938-1948). Praha: Arbor vitae, 2011. ISBN 978-80-7391-158-4.
-
ECO, U. O zrcadlech a jiné eseje: znak, reprezentace, iluze, obraz. Překlad Vladimír Mikeš a Veronika Valentová. 1. vyd., Praha: Mladá Fronta, 2002. ISBN 80-204-0959-9.
-
FIELL, Ch. Modern Scandinavian Design. London: Laurence King Publishing, 2017. ISBN13 (EAN) 9781786270528.
-
KOLESÁR, Z. Kapitoly z dějin designu. Praha: UMPRUM, Praha, 2004. ISBN 80-86863-03-4.
-
KŘÍŽOVÁ, A., a kol. Ornament - oděv - šperk: Archaické projevy materiální kultury. 1. vyd., Brno: Masarykova univerzita, 2009. ISBN 978-80-201-4963-5.
-
LIPOVETSKY G. Říše pomíjivosti: móda a její úděl v moderních společnostech. Praha: Prostor, 2002, 446 s. (Střed; Sv. 46). ISBN 80-7260-063-X.
-
MILLER, J. Užité umění: Styl a design od klasiky po současnost. Bratislava: Slovart, 2008. ISBN 978-80-7391-158-4.
-
PETROVÁ, S. České sklo, Praha: VŠUP, 2018. ISBN 978-80-87989-50-0.
|