Course: Studio 3

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Course title Studio 3
Course code KUM/A3
Organizational form of instruction Lecture
Level of course Bachelor
Year of study not specified
Semester Winter
Number of ECTS credits 14
Language of instruction Czech
Status of course Compulsory
Form of instruction Face-to-face
Work placements Course does not contain work placement
Recommended optional programme components None
Course availability The course is available to visiting students
Lecturer(s)
  • Stolín Jan, doc. M.A.
  • Prokeš Jaroslav, MgA. Ph.D.
  • Hnízdil Aleš, doc. akad. soch.
  • Zeman Filip, MgA.
  • Vlachynská Petra, MgA. Ph.D.
  • Hanzlík Daniel, doc. MgA.
Course content
The student's work in the current semester builds on the knowledge and skills acquired in the previous studio teaching. The student's work in the studio places a high demand on a student, who is able to solve creative problems lying between art and social attitude, cultural responsibility and technological development. They must be able to see the project in a specific environment, in cultural and social contexts and be able to work with details even on a large spatial scale. The semestral work is completed with a final exam. The studio work includes not only the artistic creation itself, but also a discussion between students and teachers about theoretical and technical problems. The discussion in the studio is a continuous discourse on topics of artistic praxis and reflection of contemporary society. This permanent discussion helps to create independent creative personalities with their own, not only artistic, thinking.

Learning activities and teaching methods
Individual creative and artistic activities
  • Class attendance - 224 hours per semester
  • Preparation for exam - 250 hours per semester
Learning outcomes
The student's work in the current semester builds on the knowledge and skills acquired in the previous studio teaching. - The student's work in the studio places a high demand on a student, who is able to solve creative problems lying between art and social attitude, cultural responsibility and technological development. They must be able to see the project in a specific environment, in cultural and social contexts and be able to work with details even on a large spatial scale. The semestral work is completed with a final exam. The studio work includes not only the artistic creation itself, but also a discussion between students and teachers about theoretical and technical problems. The discussion in the studio is a continuous discourse on topics of artistic praxis and reflection of contemporary society. This permanent discussion helps to create independent creative personalities with their own, not only artistic, thinking.
Bringing together of theoretical foundations and the creative work of designers.
Prerequisites
Unspecified

Assessment methods and criteria
Presentation of artistic and creative activities

Students' academic progress and results are assessed through regular consultations regarding their projects. In the studios, students participate in a series of shared short assignments, partial submissions, presentations, and work-in-progress reviews, often attended by instructors from other studios as well as external guests. A minimum attendance of 75% is standard. The final evaluation of the assigned semester project always takes place in person, with the student presenting their work before a committee composed of instructors from other Fine Arts studios at FUA, a representative of the Department of Theory at FUA, and external guests. The assessment focuses on the overall impression of the artistic work and its quality in relation to the assigned topic and the work of other first-year students, as well as its technical execution and installation.
Recommended literature
  • CÍLEK, Václav. Krajiny domova: chodit, hledat a dívat se.. Praha, 2018. ISBN 978-80-00-05131-4.
  • CORBIN, Alain. Dějiny ticha: od renesance do naší doby. Praha, 2022. ISBN 978-80-257-3857-3.
  • LONG, Richard. Richard Long ? many rivers to cross.. London, 2021. ISBN 978-0-500-97120-8.
  • MORGANOVÁ, Pavlína; NEKVINDOVÁ, Terezie a SVATOŠOVÁ, Dagmar. Výstava jako médium: české umění 1957-1999.. Praha, 2020. ISBN 978-80-88366-13-3.
  • PRAHL, Roman. Umělec, ateliér a umění: obrazy z 19. století.. Řevnice, 2022. ISBN 978-80-7467-159-3.
  • PŘÍHODA, Jiří; NEDOMA, Petr; LONG, Christopher a ŠENK, Filip. Jiří Příhoda: void. Praha, 2022. ISBN 978-80-86443-55-3.
  • SRP, Karel; KUČERA, Jiří a JODAS, Miroslav. Minimal & Earth & concept art. Druhá část. Praha, 1982.
  • SRP, Karel; KUČERA, Jiří a JODAS, Miroslav. Minimal & Earth & concept art. První část. Praha, 1982.
  • SVOBODOVÁ, Markéta. Bauhaus a Československo 1919-1938: studenti, koncepty, kontakty. Praha, 2016. ISBN 978-80-7437-224-7.
  • ZEMÁNEK, Jiří. Zdeněk Pešánek: 1896-1965.. Praha, 1997. ISBN 80-7035-117-9.


Study plans that include the course
Faculty Study plan (Version) Category of Branch/Specialization Recommended year of study Recommended semester