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Lecturer(s)
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Zeman Filip, MgA.
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Dostálek Lukáš, MgA.
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Rouha Jan, MgA.
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Stolín Jan, doc. M.A.
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Prokeš Jaroslav, MgA. Ph.D.
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Vlachynská Petra, MgA. Ph.D.
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Hanzlík Daniel, doc. MgA.
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Course content
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Inquiry and analysis Rough draft Design Environmental design + architecture Design Presentation
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Learning activities and teaching methods
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Individual creative and artistic activities
- Class attendance
- 280 hours per semester
- Preparation for credit
- 25 hours per semester
- Preparation for exam
- 280 hours per semester
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Learning outcomes
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A creative approach to finding solutions to artistic study tasks, an ability of independent creative work. An effort to find some interdisciplinary solutions to art projects in connection with some technical study subjects. Openness to creative experiments between art, design, technology and public space. In the Master's program, the studio is primarily an environment that enables students to develop their own creative potential, to seek new possibilities in expression in cooperation with the latest development of imaging technologies and deep knowledge of the context of contemporary art. The atmosphere of the studio is a continuous discourse on the topics of artistic practice and reflection on contemporary society. The studio is based on the individual work of students, which is continuously consulted and corrected. The result is evaluated in the form of examination.
Student will gain competence to target and improve his/her weaknesses, work on broadest spectrum of commisions.
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Prerequisites
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Any one
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Assessment methods and criteria
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Presentation of artistic and creative activities
Creative approach to solving artistic study tasks and the ability to work independently. Willingness to seek interdisciplinary solutions in art projects in connection with technical subjects. Openness to creative experiments at the intersection of art, design, technologies, and public space. Ability to develop one's own creative potential in line with the latest developments in imaging technologies and within the context of contemporary art. Active participation in discourse on artistic practice and reflection of contemporary society. Capacity for independent work, openness to ongoing consultations, and the ability to accept feedback and corrections.
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Recommended literature
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ANFAM, David. Anish Kapoor. London: Phaidon Press, 2009. ISBN 9780714843698.
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CARTIERE, Cameron a Anthony SCHRAG (ed.). The Failures of Public Art and Participation.. New York: Routledge, 2022. ISBN 978-0367751814.
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FLAVIN Dan; Tiffany BELL; Anne RORIMER; Richard SHIFF a Alexandra WHITNEY (ed.). Dan Flavin: series and progressions.. Göttingen: Steidl, 2010. ISBN 978-3-86930-146-.
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HALL, Peter. Cities of tomorrow: an intellectual history of urban planning and design in the twentieth century. Blackwell. 2002.
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HOJDA, Ondřej. Ósaka 1970: architektura, environment, média: světová výstava jako křižovatka československé a světové architektury.. Praha: Ústav dějin umění AV ČR, 2021. ISBN 978-80-88283-59-1.
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LYNCH, Kevin. Obraz města: The image of the city.. Praha: Bova Polygon, 2004. ISBN 80-7273-094-0.
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MIŠTERA Josef; Frederick DRURY; Ivan NEUMANN; Jiří BERÁNEK a Jan SOUKUP. Ateliér profesora Jiřího Beránka ? Specific LandArt.. Praha: Ústav dějin umění AV ČR. ISBN 978-80-261-0561-9.
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ONDÁK, Roman. Roman Ondák: Loop.. Vídeň: König, 2011. ISBN 978-3-86335-019-2.
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PLATZEK, Carola (ed.). Teachings of the garden: conversations in Japan. Vídeň: Schlebrügge. 2020.
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SCHAMA, Simon. Krajina a paměť.. Praha: Argo, 2007. ISBN 978-80-7203-803-9.
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SUDJIC, Deyan. The edifice complex: the architecture of power.. London: Penguin Books, 2011. ISBN 978 02-419-5277-1.
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