|
Lecturer(s)
|
-
Stolín Jan, doc. M.A.
-
Prokeš Jaroslav, MgA. Ph.D.
-
Vlachynská Petra, MgA. Ph.D.
-
Hanzlík Daniel, doc. MgA.
-
Hnízdil Aleš, doc. akad. soch.
-
Zeman Filip, MgA.
|
|
Course content
|
Inquiry and analysis Rough draft Design Environmental design + architecture Design Presentation
|
|
Learning activities and teaching methods
|
Individual creative and artistic activities
- Class attendance
- 280 hours per semester
- Preparation for credit
- 25 hours per semester
- Preparation for exam
- 280 hours per semester
|
|
Learning outcomes
|
A creative approach to finding solutions to artistic study tasks, an ability of independent creative work. An effort to find some interdisciplinary solutions to art projects in connection with some technical study subjects. Openness to creative experiments between art, design, technology and public space. In the Master's program, the studio is primarily an environment that enables students to develop their own creative potential, to seek new possibilities in expression in cooperation with the latest development of imaging technologies and deep knowledge of the context of contemporary art. The atmosphere of the studio is a continuous discourse on the topics of artistic practice and reflection on contemporary society. The studio is based on the individual work of students, which is continuously consulted and corrected. The result is evaluated in the form of examination.
At the conclusion of the third studio the student will be comprehensive personality fully prepared for independent final diploma project.
|
|
Prerequisites
|
Mandatory attendance in classes Submission of the semester project Presentation of results and oral defense
|
|
Assessment methods and criteria
|
Presentation of artistic and creative activities
Creative approach to solving artistic study tasks and the ability to work independently. Willingness to seek interdisciplinary solutions in art projects in connection with technical subjects. Openness to creative experiments at the intersection of art, design, technologies, and public space. Ability to develop one's own creative potential in line with the latest developments in imaging technologies and within the context of contemporary art. Active participation in discourse on artistic practice and reflection of contemporary society. Capacity for independent work, openness to ongoing consultations, and the ability to accept feedback and corrections.
|
|
Recommended literature
|
-
BOURGEOIS, Louise; Stella ROLLIG; Sabine FELLNER a Johanna HOFER (ed.). Louise Bourgeois: persistent antagonism. Köln: Walther und Franz König, 2023.
-
CARMONA, Matthew. Public Places Urban Spaces. The Dimensions of Urban Design. New York. Taylor & Francis, Routledge, 2021. ISBN 9781138067783.
-
DVOŘÁK, Tomáš (ed.). Kapitoly z dějin a teorie médií.. Akademie výtvarných umění v Praze, 2010. ISBN 978-80-87108-16-8.
-
GOVAN, Michael a Christine Y. KIM. James Turrell: a retrospective.. USA: Prestel. ISBN 978 3791352633.
-
HANSCHKE, Verena; Robert KLANTEN a Sven EHMANN (ed.). A touch of code: interactive installations and experiences.. 2011. ISBN 9783899553314.
-
HILL, Penelope. Contemporary history of garden design: European gardens between art and architecture.. Williston, Vermont, U.S.A.: Birkhäuser, 2004. ISBN 978-3764371173.
-
JODIDIO, Philip. Serpentine Gallery pavilions: Zaha Hadid, Daniel Libeskind, Toyo Ito, Oscar Niemeyer, Álvaro Siza & Eduardo Souto de Moura, Rem Koolhaas & Cecil Balmond, Olafur Eliasson & Kjetil Thorsen, Frank O. Gehry, Sanaa, Jean Nouvel.. Taschen, 2011. ISBN 9783836526135.
-
KINTERA, Krištof, Karel SRP a Mariana SERRANOVÁ (ed.). Krištof Kintera. Praha: Arbor vitae,, 2012. ISBN 978-80-87164-96-9.
-
OLAFUR, Eliasson. Unspoken spaces.. New York: Thames & Hudson, 2016. ISBN 9780500343135.
-
POPPER, Frank. From Technological to Virtual Art.. Cambridge, London: The MIT Press, 2007. ISBN 978-0 262-16230-2.
-
SUGIMOTO, Hiroshi a Tomoyuki SAKAKIDA. Old is new: architectural works by New Material Research Laborator. Curych: Lars Müller, 2011. ISBN 9783037786468.
|