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Lecturer(s)
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Course content
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1. Summary of the previous semester, definition and analysis of upcoming topics in relation to planned exhibitions and art events announced for the near future 2nd - 3rd lecture: excursion based on current exhibitions 4th - 5th lecture: excursion based on current exhibitions 6th - 7th lecture: excursion based on current exhibitions 8th - 9th lecture: excursion based on current exhibitions 10th - 11th lecture: excursion based on current exhibitions 12th - 13th lecture: excursion based on current exhibitions 14th Working with text in the form of an essay (instructions and guidelines for the final graded assignment concluding the semester) The selection of specific excursions with accompanying lectures always depends on the current range of exhibitions, artistic interventions in public space, newly reconstructed or opened exhibition venues, monuments, architecture, or any other relevant manifestations related to contemporary art.
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Learning activities and teaching methods
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unspecified
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Learning outcomes
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This course deals with the latest trends in the free, marginal as well as applied art.
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Prerequisites
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unspecified
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Assessment methods and criteria
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unspecified
Knowledge and the ability to argue are assessed through discussions held directly at the sites of installations and exhibitions, in immediate and direct contact with artworks, environments, architecture, and public space. The ability to work with acquired knowledge is evaluated through a final essay. Essay topics are announced in advance and are based on the exhibitions and artistic projects visited during the semester. Both the content and the formal aspects of the essay are evaluated (use of references, structure of the text, argumentation skills, use of examples, authenticity and readability of the text, ability to use appropriate academic vocabulary, etc.). A minimum of 75% attendance at lectures and excursions is required for the essay to be accepted. The selection of individual excursions combined with lectures always depends on the current range of ongoing exhibitions, artistic interventions in public space, newly renovated or opened exhibition venues, memorials, architecture, or any other current manifestations related to contemporary art...
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Recommended literature
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aktuální nabídka katalogů, monografií, tiskových zpráv a ostatních materiálů vydaných ke konkrétním výstavám navštívených v rámci předmětu za daný semestr. .
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CORBIN, Alain. Dějiny ticha: od renesance do naší doby. Praha, 2022. ISBN 978-80-257-3857-3.
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HODGE, Susie. Umění: objasněno: 100 mistrovských děl a co znamenají.. Praha, 2022. ISBN 978-80-271-3316-1.
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KLIMEŠOVÁ, Marie a ROUSOVÁ, Hana. Tak blízko, tak daleko 1947-1960: české výtvarné umění v mezinárodních sociokulturních souvislostech. Praha, 2023. ISBN 978-80-7671-138-9.
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LOJDOVÁ, Šárka. Změnit svět uměním: definice umění Arthura C. Danta a emocionální zkušenost publika.. Praha, 2024. ISBN 978-80-246-5799-8.
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MACK, Heinz, VALENTYN, Heike van den (ed.). Heinz Mack. Köln:, 2021. ISBN 978-3-96098-923-3.
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MOHOLY-NAGY, László. Od materiálu k architektuře. Praha. 2002.
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MORGANOVÁ, Pavlína; NEKVINDOVÁ, Terezie a SVATOŠOVÁ, Dagmar. Výstava jako médium: české umění 1957-1999. Praha, 2020. ISBN 978-80-88366-13-3.
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PIOTROWSKI, Piotr. Významy modernismu: k historii polského umění po roce 1945. Hradec Králové. 2022.
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SRP, Karel a LAHODA, Vojtěch (ed.). České umění 1900-1990: ze sbírek Galerie hlavního města Prahy - dům U zlatého prstenu: stálá expozice. Praha, 1998. ISBN 80-7010-057-5.
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TSCHUDI, Victor. Piranesi and the modern age.. Cambridge, 2022. ISBN 978-0-262-04717-3.
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