1. Definition and analysis of the discussed topics, outlook on planned exhibitions and art events in the upcoming period 2nd - 3rd lecture: excursion to current exhibitions 4th - 5th lecture: excursion to current exhibitions 6th - 7th lecture: excursion to current exhibitions 8th - 9th lecture: excursion to current exhibitions 10th - 11th lecture: excursion to current exhibitions 12th - 13th lecture: excursion to current exhibitions 14. Text as a tool for interpreting artwork (seminar on the format of the final graded assignment concluding the semester) The selection of specific excursions with accompanying lectures always depends on the current range of exhibitions, artistic interventions in public space, newly reconstructed or opened exhibition venues, monuments, architecture, or any other relevant manifestations related to contemporary art.
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Knowledge and the ability to argue are assessed through discussions held directly at the sites of installations and exhibitions, in immediate and direct contact with artworks, environments, architecture, and public space. The ability to work with acquired knowledge is evaluated through a final essay. Essay topics are announced in advance and are based on the exhibitions and artistic projects visited during the semester. Both the content and the formal aspects of the essay are evaluated (use of references, structure of the text, argumentation skills, use of examples, authenticity and readability of the text, ability to use appropriate academic vocabulary, etc.). A minimum of 75% attendance at lectures and excursions is required for the essay to be accepted. The required study literature for passing the course is based on the current selection of catalogues, monographs, press releases, and other materials published in connection with specific exhibitions visited during the semester.The choice of literature is therefore directly related to the exhibitions and artistic projects that students encounter within the course.The listed titles serve as a general foundation for the subject.
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DOUDOVÁ, Helena (ed.). Moderní žena - architektka: projekce a realita ve střední Evropě od roku 1900. Praha, 2021. ISBN 978-80-88308-34-8.
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FRANCOVÁ, Jana. Navigátor: úvod do umění nových médií. Brno, 2021. ISBN 978-80-210-9887-9.
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KERTESS, Klaus a ASHBERY, John. 1995 biennial exhibition. New York, 1995. ISBN 0-8109-6818-5.
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KOLICH, Tomáš; PŘÍKAZSKÁ, Petra; HORÁČEK, Radek; ZACHOVAL, František a PLACÁKOVÁ, Marianna. Umění napříč generacemi: sběratel a galerista Karel Tutsch (1941-2008).. Hradec Králové, 2024. ISBN 978-80-87605-99-8.
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NAVRÁTIL, Ondřej. Řečiště a vlna: české umění a environmentální problematika na počátku 21. století.. Brno, 2020. ISBN 978-80-210-9837-4.
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PIOTROWSKI, Piotr, MORGANOVÁ, Pavlína a ŠKABRAHA, Martin (ed.). Umění a emancipace: výbor z textů Piotra Piotrowského. Praha. 2022.
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PŘÍHODA, Jiří; NEDOMA, Petr; LONG, Christopher a ŠENK, Filip. Jiří Příhoda: void. Praha, 2022. ISBN 978-80-86443-55-3.
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SRP, Karel. Jitka Svobodová - Obrazy, kresby, objekty 1965?2021. Řevnice, 2022. ISBN 978-80-7467-153-1.
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ŠAFAŘÍK, Josef a ŠTĚPANOVIČOVÁ, Zuzana. Interference: výstava Josefa Šafaříka, Adély Bébarové a Dávida Sivého.. Liberec, 2020. ISBN 978-80-87707-43-2.
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TAPIES, Xavier. Banksy - Provokation. Zürich:, 2021. ISBN 978-3-03876-160-0.
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