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Lecturer(s)
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Šenk Filip, Mgr. Ph.D.
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Vlček Tomáš, prof. PhDr. CSc.
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Course content
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The difference between the southern and northern arts. The concept, development and symbolic interpretation of perspective. Interpretation and transformation of the understanding of the concept of disegno. The essence and background of mannerism. The role of vision and visuality in art. The relation of physicality and spirituality in art. Intrusion of the "low" into the visual art and its role. The regional modalities and stylistic variations and levels of "high" art.
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Learning activities and teaching methods
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Monological explanation (lecture, presentation,briefing)
- Class attendance
- 28 hours per semester
- Semestral paper
- 28 hours per semester
- Preparation for credit
- 5 hours per semester
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Learning outcomes
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Lectures on the History of art and architecture 3 cover the Renaissance period, primarily the 15th and 16th centuries. The birth of the Renaissance is in Italy, specifically in Florence. The main conceptual changes in the conception of man and history, including the rationale of the Renaissance in Florence, are presented. Emphasis is placed on the diverse forms of the Renaissance, even within Italy, so attention is paid to both the distinctive individual artists (Brunelleschi, Leonardo, Michelangelo, Rafael, Palladio) and the places where the most important Renaissance works were created (e.g. Florence, Milan, Venice, Urbino). At the same time, the questioning of the binding norm of the High Renaissance by art which is often referred to as Mannerist is explained.
To develop the ability of reflection and contextual thinking. To grasp knowledge of relations of visual art and architecture of that period of time.
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Prerequisites
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Unspecified
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Assessment methods and criteria
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Presentation of acquired knowledge via paper
Test or classified credit: essay, discussion of the essay
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Recommended literature
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Dějiny českého výtvarného umění I. 1-2. Praha, 1984.
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GILBERTOVÁ, K.E., KUHN, H. Dějiny estetiky, Praha: SNKLU, 1965..
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Hay, D. The age of the Renaissance. London, Thames and Hudson. 1967.
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Hocke, G. Svět jako labyrint/Manýrismus v literatuře. Praha, 1993.
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Huyghe, R. Encyklopedie. Umění renesance a baroku. Umění a lidstvo.. Praha, 1970.
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Preiss, P. Panoráma manýrismu: kapitoly o umění a kultuře 16. století. Praha, Odeno. 1974.
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Sypher, W., Dítě, H., Urbánková, J. Od renesance k baroku: Proměny umění a literatury 1400-1700. Praha: Odeon, 1971.
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Vojvodík, J. Povrch, skrytost, ambivalence. Manýrismus, baroko a (česká) avantgarda. Praha, 2008.
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