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Lecturer(s)
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Course content
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1. Introduction to the poetics 2. Introduction to the semantics 3. Poetics of elements of representation in visual art (meaning on the axis between: texture and structure, fragment and wholeness, shape and amorphousness, light-dark schema and colour, symmetry and asymmetry, horizontal and vertical, left and right side, upwards, downwards, harmony and disharmony, plus other meanings of forms and appearances in the realm of visual) 4. Mimesis and poetics of visual representation in painting, drawing, sculpture, photography, video.art and other media and genres of visual art 5. Poetics of body and sensuality 6. Poetics of spatial representation 7. Poetics of Image-schemata, emblems. Poetics and iconography, iconology, Gestalt-psychology, hermeneutics. 8. Poetics of visual art and interpretation of art by art history, theory of art, philosophy and by other disciplines of humanities and social sciences.
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Learning activities and teaching methods
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Monological explanation (lecture, presentation,briefing)
- Class attendance
- 28 hours per semester
- Preparation for exam
- 5 hours per semester
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Learning outcomes
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Poetics of fine arts clarifies the questions of how the visual and spatial creation becomes art. It is about getting to know the ways of creating and operating works of art from traditional as well as new fields of fine arts, including architecture. Topics overview: 1. Poetics of depicting and ornamental arts 2. Poetics of figurativeness, Gaston Bachelard 3. Metaphor and narration, Paul Ricoeur 4. Metaphors, metonymy, figures and tropes 5. Image, object, event, structure, abstraction 6. Poetics of empathy and empathy of sensuality 7. Poetics of depiction, mirroring and otherness, Viktor Shklovsky 8. Context and text 9. Concept, object, space and event 10. Transformation of paradigms 11. Poetics of the Unconscious, Jacques Lacan 12. Events of painting, Georges Didi-Huberman 13. Events of meaning, Milan Jankovič
To develop the ability of reflection and contextual thinking in poetics of art.
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Prerequisites
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Unspecified
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Assessment methods and criteria
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Presentation of acquired knowledge via paper
A classified examination
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Recommended literature
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AISAYYAD, Nezar. Cinematic Urbanism: A History of the Modern from Reel to Real. London: Routledge, 2006. ISBN 978-0415700481.
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BACHELARD, Gaston. The Poetics of Space. Boston: Beacon Press, 1969. ISBN 978 07064733.
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BRUNO, Giuliana. Atlas of Emotion: Journeys in Art, Architecture, and Film. Verso Books, 2007. ISBN 978 1859841334.
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CALVINO, Italo. Invisible Cities. San Diego: Harcourt Brace Jovanovich, 1974. ISBN 978-0-15-645380-6.
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FRAMPTON, Kenneth. Studies in Tectonic Culture: The Poetics of Construction in Nineteenth and Twentieth Century Architecture. MIT Press, 2001. ISBN 9780262561495.
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LAMSTER, Mark (ed.). Architecture and Film. Princeton Architectural Press, 2000. ISBN 978-1568982076.
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PALLASMAA, Juhani. The Architecture of Image: Existential Space in Cinema. Helsinki: Rakennustieto, 2008. ISBN 978-9516826281.
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PEREC, Georges. Species of Spaces and Other Pieces. London: Penguin Books, 2008. ISBN 978-0-14-144224-2.
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SCHWARZER, Mitchell. Zoomscape: Architecture in Motion and Media. Princeton Architectural Press, 2004. ISBN 978-1568984414.
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TSCHUMI, Bernard. Architecture and Disjunction. MIT Press, 1996. ISBN 9780262700603.
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