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Lecturer(s)
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Charvát Richard, Ing. Ph.D.
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Course content
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unspecified
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Learning activities and teaching methods
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Practicum
- Contacts hours
- 28 hours per semester
- Preparation for credit
- 32 hours per semester
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Learning outcomes
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Analog synthesis (SW). Additive methods- subtractive - modulation (frequency, amplitude, circular) - shape (nonlinear, phase) - combining (segmentation, granulation, formant) Generators. Oscillators. Filters (LPF, HPF, BPF, Notch). Arpeggiator. Sequencer. Hybrid synthesis (HW). Modular synthesis (HW). Patching. Circuit Bending. Improvisation and composition. Performance.
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Prerequisites
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unspecified
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Assessment methods and criteria
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unspecified
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Recommended literature
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somasynths.com.
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www.artunia.com.
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www.ikmultimedia.com.
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Bailey, D. Improvisation: Its Nature And Practice In Music. Da Capo Press, 1993.
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Collins, N. HandmadeElectronic music: The Art of Hardware Hacking.. Routlege, 2009.
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Holmes, T. Electronic and Experimential Music: Technology, Music and Culture. Routledge, 2015.
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Sara, H. John Cage: A Research and Information Guide. Taylor & Francis Ltd., 2017.
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Strange, A. Electronic Music Systems, Techniques, And Controls. William C Brown Pub, 1983.
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