|
Lecturer(s)
|
-
Novák Aleš, Ing. arch. MgA.
|
|
Course content
|
The graphic studio is a place for individuals, who find the desire within themselves to express themselves freely. An infinite space with all spiritual meanings, which are within us and which become capturable by word, a line, a ray of light, an inner glimpse of ideas and events or energies. The expression of visual art is unlimited, with respect to both topics and forms.
|
|
Learning activities and teaching methods
|
Monological explanation (lecture, presentation,briefing), Dialogue metods(conversation,discussion,brainstorming), Self-study (text study, reading, problematic tasks, practical tasks, experiments, research, written assignments), Observation, Demonstration, Project teaching, Laboratory work
- Class attendance
- 56 hours per semester
|
|
Learning outcomes
|
Art studio V is for those who have desire for free expression. The endless space of spiritual accounts within us, only becomes seizable through words, lines and rays of light, through inner visualisation of ideas, events, or energies.
Student gains practical experiences with preparation and realization of art projects
|
|
Prerequisites
|
Unspecified
|
|
Assessment methods and criteria
|
Combined examination, Oral exam, Student's performance analysis, Presentation of artistic and creative activities, Interview, Systematické pozorování studenta
The student is required to create a term work in the studio and to defend it successfully. 1. Analysis of the assigned topic 2. The student's own concept 3. The work of visual art
|
|
Recommended literature
|
-
Gombrich, E.H. Příběh umění. Praha Mladá fronta Argo, 1998. ISBN 80-204-0685-9.
-
Hlaváček, J. Výpovědi umění. Severočeské nakladatelství, 1991.
-
Kandinsky, W. O duchovnosti v umění. Triáda, 1998.
-
Knížák, M. Jeden z možných postojů jak být s uměním. Votobia Praha, 1997.
-
Lamač, M. Myšlenky moderních malířů. Praha, 1989.
-
Malevič, K. Suprematické zrcadlo. Texty k bezpředmětnosti. Brody, 1997.
-
Pešánek, Z. Kinetismus. Nakladatelství české grafické unie, 1941.
-
Rezek, P. K teorii plastičnosti. 2004.
-
Rezek, P. Tělo věc a skutečnost v současném umění. Praha, 1982.
-
Sol LeWitt. Minimal-Eart-Koncept Art, Větyo konceptuálním umění. Jazzová sekce.
-
Volavková-Skořepová, Z. Myšlenky moderních sochařů. 1971.
-
Zhoř, I. Proměny soudobého výtvarného umění. SPN Praha, 1992.
|