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Lecturer(s)
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Kirchner Blanka, MgA. Ph.D.
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Course content
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The subject is a free, mandatorily optional continuation of the Studio of Visual Arts with a focus on new technologies.
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Learning activities and teaching methods
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Monological explanation (lecture, presentation,briefing), Dialogue metods(conversation,discussion,brainstorming), Self-study (text study, reading, problematic tasks, practical tasks, experiments, research, written assignments), Observation, Demonstration, Project teaching, Laboratory work
- Class attendance
- 28 hours per semester
- Preparation for credit
- 10 hours per semester
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Learning outcomes
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Under the guidance of the teacher, the main content of the study takes place. In this advanced master's degree program, the studio is primarily an environment that allows the student to develop their own creative potential, to seek new opportunities in expression in connection with the latest developments in imaging technologies and the deep knowledge of the context of contemporary art. The work is a continuous discourse on the topics of artistic practice and reflection on contemporary society.
Student gains practical experiences with preparation and realization of art projects in connection to VA 1-9
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Prerequisites
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Unspecified
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Assessment methods and criteria
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Combined examination, Oral exam, Student's performance analysis, Presentation of artistic and creative activities, Interview, Systematické pozorování studenta
The student is required to create a term work in the studio and to defend it successfully. 1. Analysis of the assigned topic 2. The student's own concept 3. The work of visual art
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Recommended literature
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BISHOP, Claire. Installation Art: A Critical History. London: Tate Publishing, 2005. ISBN 978-1-85437-549-3.
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CORBIN, Alain. A History of Silence: From the Renaissance to the Present Day. Polity, 2018. ISBN 978-1509517350.
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DE OLIVEIRA, Nicolas; Nicola OXLEY a Michael PETRY. Installaton Art in the New Millennium. London. 2004.
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ELIASSON, Olafur. Your Light House: Working With Light,1991-2004. Stutgart. 2004.
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FLAVIN, Dan; Michael GOVAN; Tifany BELL; Brydon SMITH a David GRAY. The Complete Lights, 1961-1996. Yale. 2004.
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HALL, James. The artist's studio: a cultural history. London, 2022. ISBN 0-500-02171-2.
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KWON, Miwon. One Place After Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press, 2002. ISBN 978-0-262-11313-5.
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LONG, Richard. Richard Long - many rivers to cross.. London, 2021. ISBN 978-0-500-97120-8.
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NEŠETŘIL, Jaroslav a Tomáš VLČEK (ed.). Topologie a poetika prostoru. Liberec. 2022.
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O?NEILL, Paul. The Culture of Curating and the Curating of Culture(s). Cambridge, MA: MIT Press, 2012. ISBN 978-0-262-51680-6.
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PAZ, Octavio. Marcel Duchamp: Appearance Stripped Bare. New York: Arcade Publishing, 1990. ISBN 978 1 55970-011-1.
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PUČEROVÁ, Klára; Petr KRATOCHVÍL; Dan MERTA a Petra VLACHYNSKÁ (ed.). Z galerie ven!: umění v českém veřejném prostoru po roce 1989. Praha. 2022.
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RUSH, Michael. Video Art. London: Thames & Hudson, 2003. ISBN 978-0500237984.
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