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Lecturer(s)
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Kirchner Blanka, MgA. Ph.D.
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Course content
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The subject is a free, mandatorily optional continuation of the Studio of Visual Arts with a focus on new technologies.
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Learning activities and teaching methods
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Monological explanation (lecture, presentation,briefing), Dialogue metods(conversation,discussion,brainstorming), Self-study (text study, reading, problematic tasks, practical tasks, experiments, research, written assignments), Observation, Demonstration, Project teaching, Laboratory work
- Class attendance
- 28 hours per semester
- Preparation for credit
- 10 hours per semester
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Learning outcomes
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Under the guidance of the teacher, the main content of the study takes place and is a free continuation of the previous course. In this advanced master's degree program, the studio is primarily an environment that allows the student to develop their own creative potential, seek new opportunities in expression in connection with the latest developments in imaging technologies and the deep knowledge of the context of contemporary art. The work is a continuous discourse on the topics of artistic practice and reflection on contemporary society. The course is a free, compulsory-optional continuation of Art Projects 1 with focus on new technologies.
Student gains practical experiences with preparation and realization of art projects in connection to VA 1-9
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Prerequisites
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Unspecified
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Assessment methods and criteria
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Combined examination, Oral exam, Student's performance analysis, Presentation of artistic and creative activities, Interview, Systematické pozorování studenta
The student is required to create a term work in the studio and to defend it successfully. 1. Analysis of the assigned topic 2. The student's own concept 3. The work of visual art
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Recommended literature
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BIRNBAUM, Daniel; Wallenstein, Sven-Olov. Spacing Philosophy: Lyotard and the Idea of the Exhibition. Sternberg Press, 2019. ISBN 978-3956793882.
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CARMONA, Matthew. Public places urban spaces: the dimensions of urban design. New York, 2021. ISBN 978-1-138-06778-3.
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GOVAN, Michael a Christine Y. KIM. James Turrell: a retrospective. USA: Prestel. ISBN 978 3791352633.
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HANSCHKE, Verena; Robert KLANTEN a Sven EHMANN (ed.). A touch of code: interactive installations and experiences.. 2011. ISBN 9783899553314.
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HENNING, Michelle (ed.). Museum Media. John Wiley & Sons, 2020. ISBN 978-1-119-64202-2.
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HILL, Penelope. Contemporary history of garden design: European gardens between art and architecture. Vermont, U.S.A. 2004.
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JODIDIO, Philip. Serpentine Gallery pavilions: Zaha Hadid, Daniel Libeskind, Toyo Ito, Oscar Niemeyer, Álvaro Siza & Eduardo Souto de Moura, Rem Koolhaas & Cecil Balmond, Olafur Eliasson & Kjetil Thorsen, Frank O. Gehry, Sanaa, Jean Nouvel.. Taschen, 2011. ISBN 9783836526135.
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PAZ, Octavio. Marcel Duchamp: Appearance Stripped Bare. New York: Arcade Publishing, 1990. ISBN 978 1 55970-011-1.
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POPPER, Frank. From Technological to Virtual Art.. Cambridge, London: The MIT Press, 2007. ISBN 978-0 262-16230-2.
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SUGIMOTO, Hiroshi a Tomoyuki SAKAKIDA. Old is new: architectural works by New Material Research Laborator. Curych: Lars Müller, 2011. ISBN 9783037786468.
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