II. A SOUL AND A BODY IN PHILOSOPHY AND ART 1. Mirroring as a principle of monadology. 2. Mirror and Narcissus's existence. 3. Ornament as an addition to being; or on a tattoo. 4. Elements and touch. 5. Body and sensory modalities. 6. Collective sense as a metaphysical question. 7. Definition of a soul: touch that touches itself. 8. Machine, body, and death. 9. Puppet as a machine? 10. Notation, choreography and time of body presentation. 11. Aristotle: a soul is, in a certain sense, everything. 12. Renaissance view of magic and the question of intoxication today. 13. Irrational beginnings of modern art (R. Steiner). 14. Presence of a body in digital media. Bibliography: The course is based on three areas of literature. The first one is read in seminars in examples and consists of basic classical writings. The second one serves as an accompaniment to lectures and consists of overview monographs of contemporary art and philosophical analyses of individual works of art and the direction of art. The third group contains writings for students' essays, it includes the problem of anarchism and artist revolt in the context of art history and social context.
Rozvinout schopnost reflexe a kontextuálního myšlení.
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Bataille, G. Erotismus. Praha, 2001.
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Baudrillard, J. Amerika. Praha, 2000.
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Deleuze, G. Proust a znaky. Praha, 1999.
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Foucault, M. Archeologie vědění. Praha, 2002.
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Foucault, M. Diskurz, autor, gemealogie. Praha, 1994.
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Fromm, E. Mýtus, sen a rituál. Praha, 1999.
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Scruton, R. Estetické porozumění. Brno, 2005.
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